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翻訳と辞書　辞書検索 [ 開発暫定版 ] スポンサード リンク Amy Alexander ： ウィキペディア英語版 Amy Alexander Amy Alexander is an artist and researcher working in audio/visual performance, interactive art and software art, under a number of pseudonyms including VJ Übergeek〔(【引用サイトリンク】url=http://cyberspaceland.org/ )〕 and Cue P. Doll. She is Associate Professor at the Department of Visual Arts at the University of California, San Diego. ==Biography== Amy Alexander is active across the digital arts, playing a leading role in shaping the domains of software art〔Alexander, A., Jahrmann, M. and Rokeby (2003). (The Code Behind The Screen. )〕 and live coding.〔Ward, A., Rohrhuber, J., Olofsson, F., McLean, A., Griffiths, D., Collins, N., and Alexander, A. (2004). Live Algorithm Programming and a Temporary Organisation for its Promotion. In read_me - Software Art and Cultures.〕 Her works have been exhibited and performed at museums, festivals, and conferences including the Whitney Museum, Transmediale, Ars Electronica, and SIGGRAPH. She has also performed in non-art venues including nightclubs and street performances.〔http://amy-alexander.com/〕〔http://amy-alexander.com/Alexander_Shows.html〕 Alexander's first widely-exhibited new media work was the net art project, The Multi-Cultural Recycler (1996/7), which was nominated for a Webby Award in 1999.〔(Webby Nominees & Winners )〕 She then developed the (plagiarist.org ) website, which was known for its humorous projects related to Internet culture.〔Mirapaul, Matthew. (The Latest in Digital Art: Stunts and Pranks. ) New York Times. January 6, 2000.〕 Her more recent work has been in video installation and visual performance, most notably (SVEN ), (Discotrope: The Secret Nightlife of Solar Cells ) with Annina Ruest and (CyberSpaceLand ). She has also written texts on historical and contemporary audiovisual performance, including a chapter in the (See This Sound ) compendium. 抄文引用元・出典: フリー百科事典『 ウィキペディア（Wikipedia）』 ■ウィキペディアで「Amy Alexander」の詳細全文を読む スポンサード リンク 翻訳と辞書 : 翻訳のためのインターネットリソース Copyright(C) kotoba.ne.jp 1997-2016. All Rights Reserved.